Journal Articles
Ballam-Cross, Paul (2021). Reconstructed nostalgia aesthetic commonalities and self-soothing in Chillwave, Synthwave, and Vaporwave. Journal of Popular Music Studies, 33 (1), 70-93. doi: 10.1525/jpms.2021.33.1.70
Ballam-Cross, Paul (2020). 'Nonagon infinity opens the door!': Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard. Perfect Beat, 20 (1), 68-91. doi: 10.1558/PRBT.38104
Ballam-Cross, Paul (2018). Finding new repertoire: transcribing Mozart’s Sonata, K. 292 (196c) for the guitar. Context: Journal of Music Research, 43, 47-67.
Conference Papers
Ballam-Cross, Paul (2022). Reequalised pop songs but you’re playing on cultural nostalgia: an examination of YouTube, popular music, and memory. International Association for the Study of Popular Music IASPM XXI, Daegu, South Korea, 5-9 July 2022.
Ballam-Cross, Paul (2019). Nostalgia, gaming, and self-reference: King Gizzard and the Lizard Wizard’s Doom clone. Ludomusicology Society of Australia Symposium 2019, Sydney, Australia, 1-2 October 2019.
Ballam-Cross, Paul (2016). Tárrega’s Transcriptions Reassessed – A Snapshot of 19th Century Performance. Instrument of Change – The International Rise of the Guitar (c. 1870-1945), Melbourne, Australia, 9-11 May 2016.
Thesis
Ballam-Cross, Paul Raphael (2020). Counterpoint and performance of guitar music – Historical and contemporary case studies. PhD Thesis, School of Music, The University of Queensland. doi: 10.14264/uql.2020.183