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John Rotar

Composing a musical identity: negotiating pluralism in contemporary contexts

 

Abstract

If one is to fashion themselves a career as a contemporary composer one must be extremely creatively flexible. In order to be a viable person to be considered for projects and commissions one must be able to produce art which conforms to the strictures and expectations of a number of different stylistic parameters. This tends to result in many a younger composer being something of a stylistic chameleon. This, of course, is not purely out of the necessity to do so but also a natural product of the way that we discover and digest our creative influences in the modern, interconnected, digital age. Thus, having an output that is so a pluralistic on the surface, how may one define their own personal artistic identity and consequently nurture their own voice.

About 2019 HDR Seminars

Research seminars are directed by current staff, higher degree research students and visiting academics. 

The seminar series showcases our Higher Degree by Research candidates’ work. The seminars are open to the public, and we regularly have visiting scholars attend and present their research. Please register by following the link in the session below that you wish to attend.

 

Venue

Zelman Cowen Building, St Lucia Campus
Room: 
Room 413